An especially poignant allegorical work by Russian-born artists Ilya and Emilia Kabakov sits within an open, sun-drenched grassy knoll. “The Arch of Life” (2016) is modest compared with this renowned couple’s more monumental installations. Yet five figures set upon an arch carry the full weight of their vision of pathos and resilience: An egg hatches a human head; a vulnerable youth shows bravado as he crawls on hands and knees wearing a lion mask; a third figure bearing a light-filled box on his back represents hope through adversity; and a fourth torso, sorrowfully draped over two sides of a wall, suggests the universal plight of those unable to survive. The final figure, surrounded by the weight of his agony, is in a state of collapse.
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